DELUXE CURL

 

Rob Jarvis

London, UK

 

Rob Jarvis

Back in '98, Rob Jarvis, Phil (now label manager at Peacefrog) and Ben hooked up to form Killa Bite. Their first EP was well received across the board by music buyers, journalists, and most importantly, working DJs.
Using samples from classic house tracks (circa '88) and up-to-the-minute programming skills, Killa Bite 1 became one of the biggest selling techno / house hybrid singles of the '98 and made the trio a household name overnight.

Rob Jarvis has fingers in many pies, he was responsible for the extremely limited 6 track EP called Tribute, a pseudonym with some very tasty disco-licking house.
With very limited vinyl runs, this may be the only way to hear these underground classics. 


Hailing from the west side of London, Rob Jarvis is keeping busy A&R'ing at Pro-Jex records. 


Rob continues to be at the epicenter of the London Underground.

Deluxe Curl Records is happy to have Rob on board for Discogs Compilation Vol. 1.

 

 http://www.victoria-music.com

 

Deluxe Curl Records and Joshua Herrala speaking to Richie Hawtin about the new Apple i-pod. Techno and House or Jungle with Drum and Bass playing on Technics with Detroit Techno and Chicago House using a Numark Mixer with Richie Hawtin and Carl Cox playing with Adam Beyer on his Vestax mixer and Gemini trance is finding  Tresor and Drum Code and Definitive Records so that John Aquaviva can Rave at Construct Rhythm booth DEMF or hardcore techno and Brian Zentz and Speedy J playing with Fred Gianelli and all the acid house you like. You like techno? No reason for weak techno to stop you. Techno can always be played. Paul Oakenfold is not good. Perlon is a great label. Rave is the future. Techno can be compared to Technics 1200. MK5. The Roland TB-303 played acid for the 303, but he MC-303 was not the 303 of choice. The Detroit Techno revolution is UR and Mad Mike Banks. But Detroit Techno cannot be simplified. Acid house is nice if Techno cannot be found.